The Best Beatles Cameos in Comics

beatles in comics panel

This content contains affiliate links. These links may allow us to earn affiliate commissions if you make a purchase.

Best Choice

Keep you deliciously warm in the icy days of winter, in great style!

Full Length Mink Fur Coat with Shawl Collar & Bracelet Cuffs (Demi Buff, XS)
Fully lined with silk/polyester blend lining
Hook & eye snap front closures
Made in Greece

Best Choice

39" Slick wool wrap coat with exaggerated collar and tie belt

Adjustable button closure
Body welt pockets
Fully lined with logo lining
special size type: standard
weave type: Woven

Best Choice

Mackage Women's Trish Mid-Length Down Coat with Fur Hood

Long down coat with Asiatic raccoon and rabbit fur on hood with asymmetrical zipper

Zip-front coat featuring fur-lined convertible hood and fleece-lined hand pockets
Leather trim on back waistband

October 5th marks the 60th anniversary of the release of the Beatles’ official debut single, “Love Me Do”(at least in the UK). In celebration of this significant date in pop cultural history, I decided that I would take a look at some of the Beatles’ most memorable references in Another bastion of pop culture that was huge in the ’60s: superhero comics.

This is by no means a comprehensive list. For starters, I’ve limited my scope to Marvel and DC — and specifically to their superheroComics, which can also be translated as “no” Stan Lee Presents: The Beatles Story (it’s a real thing), no MAD Magazine appearances, etc. I’m also not interested in the many uses of the Beatles in background shots and collages meant to evoke “Hey! It’s the ’60s!”It is used to set the scene.

No, we’re looking at ’60s and ’70s Beatles interactions with superheroes specifically, mostly because nothing says “How do you do, fellow kids?”Like a bunch middle-aged men trying to capture a moptop zeitgeist in The Pages of Jimmy OlsenOf whatever.

The franchise that seems the most likely to have encountered Fab Four the most often is, fittingly enough: Fantastic Four. The earliest reference is in Fantastic Four#34 (January 1965), when Thing gets a gag gift from his recurring enemies, the Yancy Street Gang: a Beatles wig. Though initially irritated, Ben eventually dons the wig, confessing that he’s always wanted to try one. This panel is worth the 12¢ cost of the issue alone:

I doubt Jack Kirby even knew what a Beatles hairstyle looked like.

Two months later, in Strange Tales #130 (March 1965), the FF actually met the Beatles, in a story called — what else? — “Meet the Beatles!” Well, almost. Alicia Masters and Dorrie Evans, the respective girlfriends of the Thing and the Human Torch, just happen to spot the Beatles wandering around New York City, and are inspired to buy four tickets to that evening’s concert, which is miraculously not sold out. Now, I’ve seen A Hard Day’s Night, which I’m assuming we can take as strict historical fact, and I am highly skeptical that the Beatles would just be meandering around a major city without being mobbed. But maybe teens are more blasé in the Marvel universe?

Johnny, A Youth, is happy about the tickets. Ben grumbles (though he may be right). DoesBring your Beatles wig. Tragically, as soon as they arrive at the venue some hoodlums rob the ticket office. The Human Torch and the Thing have to step in. After defeating the thieves, they return to the venue to discover that they’ve missed the entire concert. What a revoltin’ development!

Three panels from Strange Tales #130.
Panel 1: Dorrie and Alicia stop short as they realize they've just rushed past the Beatles. The caricatures of the Beatles are...not very good.
Dorrie: The B-Beatles!!!
Alicia: What's wrong, dear?
Panel 2: Dorrie and Alicia turn around to face the Beatles.
Dorrie: Alicia! We almost ran right past them!! If we're real quiet, you can hear them breathing!
Panel 3: The Beatles begin to sign autographs for Dorrie and Alicia, while Thing and the Human Torch come running down a flight of stairs to join them, and a man bursts through a door on the floor below.
Torch: Ben! Look who the gals are with! Hey...stop shovin', you big ape!
Thing: It's them! My ever-lovin' idols!! Be still, my patterin' heart!
Man: Help! Something terrible just happened!
Bob Powell is an artist Definitely didn’t know what the Beatles looked like. Yikes.

Other Fantastic Four Beatles references were made later and were less meaningful: they visited an alternate universe where John Lennon was still alive. Fantastic Four #47 (1998 series); both 4somes meet in a proper setting Fantastic Four: Life Story, a retelling of the FF’s history. But probably the best known and definitely the most charming is in 1994’s Marvels, when artist Alex Ross snuck at least the Beatles into the crowd at Reed and Sue’s wedding. Can you spot them all!

A splash page from Marvels showing Reed and Sue kissing at their wedding. Alicia and Johnny are smiling and Ben is crying. The aisle has several photographers taking pictures, and the pews are filled with superheroes and celebrity cameos.
Also, Dick Van Dyke and Mary Tyler Moore

On the DC side, I believe that the Metal Men were the first characters to meet the Beatles. Metal Men #12 (March 1965), in which we learn that both groups are mutual fans.

One panel from Metal Men #12. The Beatles approach from the left, Ringo holding his bass drum in the air. The Metal Men stretch across the panel from the right, all of them holding pens. Below them is an excited crowd of teenagers holding autograph books for the Metal Men to sign.
Narration Box: Wherever the unique Metal Men appear in person, eager fans stampede toward them...
George: Yeh!
John: Yeh!
Ringo: I say - we haven't a chawnce [sic] of getting the Metal Men to autograph my drum!
Tin: Tina - look! It's the B-B-B-!
Platinum: Aren't they cute? Is your hair real? Of course we'll sign your drum!
Mercury, Lead, Iron, and Gold: Yeh!
Ross Andru had at least seen a photograph of the Beatles.

You’d think the DC characters most likely to hang out with the Beatles would be the Teen Titans, but as I’ve said before, early Titans comics weren’t exactly plugged into youth culture — even though the Beatles appeared to be fans of the Titans, at the very least, according to Teen Titans #11. Boy, the DCU’s Beatles are kind of a bunch of fanboys, aren’t they?

A panel from Teen Titans #11, showing a bulletin board with notes pinned to it. One has a sketch of the Beatles and says
DC is better than DC. DrawingThe Beatles. Well, sorta.

If you needed proof that DC was less hip than Marvel in the ’60s, note that something as mild as “being liked by the Beatles”must be balanced by “also being liked by President Johnson,”We should not assume that the Titans were juvenile delinquents. This issue also dates back to 1967. The Beatles did. NotLook like this in 1967

DC finally emerged from the ’50s in around 1970, and so they’re a little more with it in Batman#222 (June 1970), when Robin & Batman are involved in the “Paul is dead”Conspiracy theory. I mean: “Saul is dead.” Yes, that’s right, “Saul Cartwright,”A member of the Twists, one of the most thinly disguised celebrity cameos in comics history. Whatever, I’m counting it!

The cover to Batman #222. Batman and Robin stand in a graveyard, watching what is clearly meant to be the Beatles walk past them. Robin is holding an album called
Batman covers from the ’70s are always so great, and this is no exception.

In this delightfully silly story, Dick Grayson’s college buddies convince him, a literal detective, that PaulSaul has been secretly replaced by a lookalike by playing hidden messages on Twist records. Fortunately, Dick is the ward Bruce Wayne. Bruce Wayne is a major stockholder in the Twists’ record label, a power he’s apparently all too willing to abuse. “As Batman — I don’t want to be party to a hoax,” Bruce thinks, thereby justifying the nonsense he’s about to get up to, before inviting the Twists to Gotham for a concert.

The band agrees to remain at Wayne Manor. However, Saul is moody, cynical, and makes Bruce and Dick more suspicious. They make various and increasingly stupid attempts to record Saul’s singing voice so that they can compare it to a pre-death track — at one point, they pretend it’s Alfred’s birthday to get the Twists to sing “Happy Birthday”Only he can realize it When they listen to the track that Saul wasn’t singing solo. Are you the world’s greatest detectives or aren’t you???

Our embarrassingly incompetent heroes are convinced that they’re on the right track when they’re violently attacked under the cover of darkness. Until Saul tells the truth.

Three panels from Batman #222.
Panel 1: A man who looks like John Lennon lies on the floor, scowling and clutching at his jaw. Around him stand Batman, the other three
That means they didn’t get to groove in the East’s mysteries. Also: BENJI?

That’s right: it was the OtherThree members of the band died and were replaced by look-alikes. This is actually a pretty clever solution, since I suspect DC didn’t want to either call its teenage readers gullible dupes OrBoldly proclaim that Paul McCartney was dead. Robin and Batman forget that Lohn Jennon is over there trying to KillThey are open and honest, which suggests that they are honest. Neue band. I’m choosing to believe that the name of this fake band, Phoenix, inspired the real Paul’s formation of Wings a year later.

(Fun fact! This comic was created 11 days after Paul announced his departure. Awkward.)

But even this delicious zaniness pales in comparison to what is probably DC’s most infamous Beatles comic, which doesn’t even have the Beatles in it: Superman’s Pal Jimmy Olsen #79 (September 1964).

The cover to Superman's Pal, Jimmy Olsen #79. In an ancient Middle Eastern city, Jimmy stands on a stage, wearing a toga and a red Beatles wig and playing a drum and ram's horn simultaneously. A crowd of teens in togas and black Beatles wigs cheer for him in the foreground. Superman is flying in the background, looking shocked.
Superman: Great Krypton! Jimmy has started a Beatle craze here in the ancient past. He's become as popular as Ringo!
It’s okay, friends.

This incredible story begins with Jimmy dancing by himself to the Beatles in a custom-made Beatles wig. He looks like a cool, hip teenager. Suddenly, he’s visited by Kasmir, a criminal from the 30th century, who tricks Jimmy into piloting a stolen time machine 3,000 years into the past. Jimmy speaks the local language, which is great! There’s a reason!

One panel from Jimmy Olsen #79. Jimmy is watching the Beatles on TV and dancing while wearing a red Beatles wig.
Narration Box: In a Metropolis apartment one day...
TV: I wanna hold your ha-a-a-nd!
Jimmy: Man! Those Beatles are a blast! And I always seem to enjoy their music more when I wear my personal Beatle wig!

Jimmy is saved from this futuristic desperado, by a mysterious, strong teen known only to as Mighty Youth (yes really). Inexplicably, Jimmy’s first order of business is not to figure out how to send a message to his time traveling bestie Superman, but to get a job. Capitalism is poison, children.

He ends up shearing sheep as a local shepherd. Disappointed by the pay, he decides to make a side hustle and dye excess wool black, turn it into Beatles wigs, then sell them to teenage Judeans.

Four panels from Jimmy Olsen #79.
Panel 1: Jimmy is standing next to a table, lifting a hank of black wool out of a pot. Also on the table are several hanks of white, undyed wool. Several more black hanks are hanging from a clothesline in the background, dripping black dye.
Narration Box: Soon Jimmy is working swiftly in a secluded part of the city...
Jimmy: I picked up enough wool to make a dozen wigs! Now to dye them black! I'll wear my own red wig, which was in my pocket when I came to the past!
Panel 2: Wearing his red wig, Jimmy dances and plays the ram's horn and drum simultaneously. A group of teenagers has gathered.
Narration Box: Later, Jimmy begins a weird performance...
Teen #1: Who is this strange fellow who twists and twitches like a beetle on a hot stone?
Teen #2: That catchy drumbeat! I can't keep my own feet from twitching!
Panel 3: Jimmy holds up a wig to the excited teens.
Jimmy: Hold everything, kids! You can't do the Beatle dance without a Beatle wig! Get 'em while they last. A silver piece each!
Teen #1: I'll take one!
Teen #2: Me, too!
Teen #3: Aren't they darling?
Panel 4: Jimmy continues to play while the teens, now all wearing black wigs, dance. An old man looks on in surprise.
Narration Box: Presently, the market-place is rocking...
Jimmy: Yeah! Yeah! Yeah!
Jimmy (thinking): Crazy, man! Imagine starting a Beatle craze thousands of years back in the past!
“Who is this strange fellow who twists and twitches like a beetle on a hot stone” oh my GOD.

He’s playing “I Want to Hold Your Hand” on a ram’s horn. I don’t know why everyone says Superman movies are hard to make when they’ve never even Try itThis issue can be adapted.

Unfortunately for Jimmy, Kasmir is still hanging around, and jealous of Jimmy’s success. He rats him out to the shepherd, who claims the wool for Jimmy’s wigs was stolen from him (which…yeah, it was), and has Jimmy thrown in jail. Jimmy blows on the ram’s horn for help, and Mighty Youth shows up to save him…oh, and Mighty Youth is actually the biblical Samson, because of course he is.

Kasmir attempts to revenge himself upon Team Jimmy by cutting Samson’s hair, but luckily Jimmy saw him coming and plopped his own ginger Beatles wig onto Samson’s head just in time, meaning Kasmir only cut the wig. Again, the Beatles save the day!

Superman appears completely random at this point, and handily defeats all those who are still in need of his help. Jimmy and Superman stay in ancient Judea to give one last farewell concert.

One panel from Jimmy Olsen #79. Wearing his red wig, Jimmy plays the ram's horn and drum while Superman looks on in surprise. Below them, teens in black wigs dance.
Narration Box: Then, just before they take off for the future, Jimmy puts on a special
My favorite is the girl in green, having ecstasies, in front.

“You seem to be as popular as Ringo, the Beatle drummer!” Who says Superman’s not hip and with it? This epic, Beatlelical biblical story is only nine pages longThe comic also includes two other Jimmy stories. Say what you will about mid-’60s DC and how cringingly embarrassing their attempts at relevance could be, but you got your money’s worth.

This is just a quick look at the many appearances by the Beatles in comics. However, these examples still delight me, even though they reveal a profoundly hapless absence of cool throughout. Ok, so the profoundly hapless absence of cool is probably. Why?They are a delight to me.

If you’re looking for a comic that’s actually About the Beatles, there’s no better place to start than The Fifth Beatle: The Brian Epstein StoryVivek J. Tiwary and Andrew C. Robinson. Kyle Baker. Meanwhile, I’ll leave you with my favorite (relatively) modern appearance of the Beatles in a superhero comic, from Tiny Titans #8 (November 2008):

One panel from Tiny Titans #8. Blue Beetle is in the office of Principal Slade (Deathstroke wearing a suit jacket over his costume). What is clearly meant to be the Beatles, in their matching early years suits, stand behind Blue Beetle, but they are too tall to fit in the panel so we can't see their faces.
Deathstroke: Blue Beetle needs help with all his subjects.
Beatle #1: Maybe a little help from his friends?
Beatle #2: Imagine that!
Blue Beetle's Scarab: [something unreadable in coded scarab language]
Blue Beetle: I know, I know. Sometimes they go on like this all day.
I can’t wait for this exact scene to be adapted in the Blue Beetle movie next year.

Hot Topics

Coach Outlet Sale, 80s fashion trends are back, 90s fashion hip-hop style
Source link

Previous articleFashion deals to shop under $50
Next articleShop the Best Zara-Style Deals From Amazon Prime Day 2022


Please enter your comment!
Please enter your name here