“New money is more fun money”Kirston Leigh-Man, Apple TV+’s costume designer, believed that this was the motto that guided her work on the comedy series “Cosplay.” Loot. Mann and Maya Rudolph’s seventh collaboration in a decade (including The Good Place, Forever, and Amy Poehler’s 2019 directorial debut Wine Country) also marked their most extravagant: Rudolph plays freshly minted billionaire Molly Novak (née Wells), whose divorce settlement from a tech CEO (Adam Scott) just made her the third-richest woman in the world.
Molly’s wardrobe feels like the actress’s real-world style — Loot even uses real red-carpet photos of Rudolph to illustrate Molly’s celebrity — taken as far as it can go. “Thanks to the budget, we could really dress Molly appropriately,”Mann said Mann that she filled her closet with designer gowns and fringed caftans for lounging around in the manse. And since Molly’s a California girl, she’s able to skew more whimsical with her sartorial choices than, say, an Über-wealthy family on a New York–centric show. “Maya is fearless with fashion,” Mann says, and that’s evident in the costumes’ eye-catching jewel tones, over-the-top florals, and extravagant silhouettes. Mann saw Molly as a key client in the fashion industry. “If Gucci gets something new in, they’re telling their special people about it and they’re sending it over to them right away,” Mann says. “Molly’s one of those very elite people.”
Molly’s 45th-birthday outfit had to be as extravagant as the festivities themselves. This is where she goes from “Jennifer Aniston to Lopez”The following are the “scale of ageless Jennifers,”According to Nicholas, the just-as-fabulously-dressed Joel Kim Booster assistant It’s also the moment Molly discovers her husband of 20 years is cheating with his much younger mistress, Hailey (Dylan Gelula).
Mann saw the blue-and-green tie dye Halston maxi in a California store window. She knew it was the perfect piece for Molly as she embarks on her journey to self-discovery. Not only because the bright colors looked amazing on Rudolph but for how the cool shades pop in Molly’s megamansion. “It’s so stark and cold,”Mann speaks out about the Bel Air palace worth $141 million where Loot is filmed. “Maya warms it up.” Mann particularly loved how the lamé gown sways as Molly angrily storms off, eventually making her getaway in a neon-green sports car that complements her Halston. “I wish I could take credit for that car,”She said. “But some style choices are just happy accidents.”
Photo: Apple TV/Courtesy Apple
Molly wears silk pajamas around her chilly compound, a nod to Mann’s at-home style. “When I walk in my own door, even if I’m going out at night, I get right into my pajamas,”She said. “It’s like Mister Rogers, who always had to put on his sweater when he came in from outside. It’s a chance to change.” It’s also an opportunity for Molly to make clear that her sleepwear, by brands like Olivia Von Halle and Bernadette, is opulent as anything else in her wardrobe.
Mann’s favorite set is a pair of Sleeper’s mint-green crêpe de chine pj’s with detachable ostrich-feather cuffs. The luxury-loungewear label’s “party pajamas” retail for $320 and are meant to be worn for more than sleeping, which makes them an inspired activewear choice for a stylish billionaire moping around the house post-divorce — or anyone looking to up their stay-at-home wardrobe. “After being in a sweatpants-at-home kind of zone, I feel like it’s fun to have fun with fashion again,” Mann says. “We can all throw away our gray sweatpants and take a page from Molly’s book.”
Photo by Apple TV
Molly wears the Mrs. Ross fringed, kaftan dress from Taller Marmo in Dubai for the premiere. The cerulean look, named in honor of music legend Diana Ross, is almost as out of touch as giving away Goop-esque gift bags at a ribbon-cutting for a women’s shelter — and that was the point. “Molly looks amazing in it, but it’s the wrong look,” Mann says. “The sleeves are kind of winglike, because she’s feeling kind of angelic at this moment, but it’s not about her at all and she has to come to that conclusion.”
The dress’s satin-tied high neck and waterfall hem with sweeping fringe contributed to Mann’s decision to use the bold look for Molly’s first of many aha moments this season. “In some ways, her work clothes are part of her disconnect from the real people she’s trying to help,”She said. “Molly hasn’t yet come around to dressing the part of somebody who understands this city. She’s still coming in a little too fabulous.”
Photo by Apple TV
Mann considers the overwhelmingly floral look Molly wears in episode two a testament to Rudolph’s “footloose and fancy-free” style. The matchy-matchy multipiece outfit by Milanese brand La DoubleJ was initially considered a bit too extravagant for a billionaire. Rudolph was open to trying it all: the stretch flares and the oversized shirt dress, as well as the matching purse and headband. “You could say, ‘Oh, you don’t have to wear the pants with it,’ and she’s like, ‘Let’s try it!’” Mann says. “Maya’s never trying to hide.”
It would certainly be difficult to lay low in the brand’s head-to-toe Selva Bianco pattern, a mix of cheerful flowers named for the Italian white wine. It’s also Mann’s favorite look of the season. “It brought us all so much joy on set,”She speaks out about the $1785 outfitMolly wears this dress on her private jet flight from London to Miami. “DoubleJ is a fun brand for a casual billionaire.”Rudolph’s purple palm-leaf caftan, which was also created by the label, was also included in the label’s collection. Loot’s opening shot: “It’s such a vibe.”
Photo: Apple TV/Courtesy Apple
In episode six, Molly receives a prestigious award for her humanitarian work, which she proudly accepts in a ’20s-inspired raspberry-red pleated cape dress. Its ruffled high neck, sleek silhouette and ruffled neck make it look like haute couture from one the most prestigious fashion houses. It’s actually the work of Theia Couture, a line of minimalist eveningwear by Irish designer Don O’Neill, whose fans include Rudolph’s BFF Amy Poehler, Taylor Swift, and Khloé Kardashian. “We were all laughing because in some places we spent a lot of money and in others we saved a lot,”Mann said she was surprised that she had to buy so many costumes. Loot She eventually lost her count. (“Let’s just say it was a lot.”This stunning gown was less than $1,000, and it ended up being one their biggest savings.
Mann used major-name designers to highlight the most important moments throughout the ten-episode series. “I was conscious of the fact that if something was very expensive or super-fabulous, I wanted to use it for a bigger scene,” she says, citing Alexander McQueen, Prada, and the Vampire’s Wife as some of Loot’s bigger gets. It’s why Mann almost didn’t bring the Theia dress to her fitting with Rudolph, worried it wasn’t big enough for such a featured moment. “It was one of the big surprises where Maya put it on and I was like, Oh my god, that’s the dress!” Mann says. “Maya’s not label conscious. She only cares about how it looks and is so willing to help young and up-and-coming designers.”
Photo: Apple TV/Courtesy Apple
In episode nine, Molly gets hit with a cream pie (for reasons we won’t spoil here) while wearing a blue puff-sleeved Alexander McQueen dress. Mann was almost unable to bear the thought that he might stain his fabulous zipped-faille mini. “Believe me, I wanted to cry,”She says it when she thinks of ruining even one version the $2,250 dress. Mann tracked down ten variations of the dress to ensure safety, which was not an easy task during the pandemic. “It wasn’t like you can just go to Bloomingdale’s and buy ten dresses,”She said. Her team searched Net-a-Porter and other consignment website websites for multiples in the same size to find Rudolph and her stunt double. Alan Yang made it possible. Loot’s co-creator and this particular episode’s director, they didn’t need nearly that many McQueens. “There are some directors who would have you throw ten pies and stain ten dresses, but Alan made it so we didn’t have to throw as many,”She estimates they were able to get the shot in two or three takes, she says. “He’s so fashionable himself that he had his eye on our dresses. But we were prepared to literally get slammed.”